If Hunter’s artistic work were to return to its earlier political forum, assessments of it would be likely to contain which of the following

(A) An evaluation that accords high status to her work
(B) Acknowledgement of her political acumen but dismissal of her subject matter as contentious
(C) Agreements with assessments made prior to the 1980’s but acknowledgments of the evolution in her art work
(D) Placement of her among the foremost artists of the pre-1980’s
(E) A reclassification of her work as psychoanalytical rather than political