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The trade and investment relationship between the European Union and the United States is the most important in the worlD.Despite the emergence of competitors, Europe and America are the dynamo of the global economy.
This economic relationship is a foundation of our political partnership, which we all know has been through a difficult patch. The identity of interest between Europe and America is less obvious than during the cold war. But while the trans-Atlantic relationship is becoming more complex, that does not make it less important. As European commissioner for trade, I do not agree that European and American values are fundamentally diverging, or that our interests no longer coincidE.
We still share a belief in democracy and individual freedoms, and in creating opportunity and economic openness. We face the same security challenges. We look ahead to shared global problems: poverty, migration, resource crises, climate changE.
We need commitment and vision to redefine our relationship. I want to see a stronger and more balanced partnership -- one in which Europe is more united, more willing to take its role in global leadership and one where the United States is more inclined to share leadership with EuropE.We need to find ways to complement each other, not compete in the political arenA.
We will not achieve either side of this equation without the other. Europe needs to build stronger foreign policies and to be ready to act on the world stagE.But equally, the body language we see from America has a huge impact on how Europeans view the partnership. Our common interest requires a strong Europe, not a weak and divided onE.I hope that the United States will reinforce its historical support for European integration.
I am fortunate now to take over an area of policy in which Europe is highly effective: tradE.Our top trade priority on both sides of the Atlantic must be to put our weight behind the multilateral Doha development agendA.Concluding this negotiation in a way that lives up to its ambition will bring enormous benefits.
Collectively, we took a major step in reaching the framework agreement in Geneva last July, following the lead taken by the E.U. on agriculture export subsidies. We now look to the United States and others to follow that lead, and we need to accelerate work in other areas -- on industrial tariffs and services -- to achieve a balanced result.
The Doha round of talks differs from any other in its focus on development. Europe and the United States must ensure that poorer countries are fully engaged and derive benefits. But the issues we need to tackle to stimulate growth and innovation in trans-Atlantic trade are not those on the Doha agendA.Our markets are relatively open and highly developeD.We need to concentrate on removing regulatory and structural barriers that inhibit activity. This is about cutting international red tapE.Our regulatory systems and cultures are different, but that is where real gains can be madE.
As E.U. trade commissioner I want to develop an ambitious but practical trans-Atlantic agendA.I am not inclined to set rhetorical targets or launch lofty initiatives. I want a set of achievable goals.
Work on trans-Atlantic deregulation will also contribute to the central goal of the new European Commission: promoting growth and jobs in EuropE.
I am not naivE.I am not turning a blind eye to the inevitable disputes in trans-Atlantic tradE.They are relatively small as a proportion of total trade, but they make the headlines. They reflect the huge volume of our trade and investment flows. That is gooD.They also reflect our readiness to settle disputes in the World Trade Organization. That is also gooD.The WTO is the best example of effective multilateralism that the world has so far inventeD.I hope we will work together to uphold it. If multilateralism is to be worthwhile, it has to be ef
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【参考答案】

B
解析:语义题。第一段第一句提到,美欧的贸易和投资关系是世界上最重要的,被考查词所在句意为“尽管有竞争者出现,......

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The first performance of Tchaikovsky's The Nutcracker, in St. Petersburg in 1892, was a flop. Wrote one critic the next day: 'For dancers there is rather little in it; for art absolutely nothing, and for the artistic fate of our ballet, one more step downwarD.' Two decades passed before another production was attempteD.A century later, the ballet constitutes the single biggest fine-arts moneymaker in the United States, which has claimed the ballet as its own. In 1996, box-office receipts for some 2,400 American performances of the work by more than 20,000 dancers totaled nearly U.S. $50 million. Despite the ballet's popularity, however, few Americans are aware of its history -- or of some of the twists and turns of fete that have changed it from its original form.Choreographer Maurice Petipa (known as the 'father of classical ballet') prepared the first production for Tchaikovsky in 1892. He based his scenario not on the macabre 1816 short story The Nutcracker and the Fang of the Mice by E.T. A.Hoffmann, which the composer had thought to use for his inspiration, but on Alexander Dumas's more benign 1845 French adaptation. Petipa did use the Hoffmann version to name his characters, but mixed up some names because he could not read German. (The heroine of the piece, Clara, should be named Marie according to the story. Clara is in fact the name of one of her dolls.)In the original story the Mouse King had seven heads and terrified the seven-year-old Marie by foaming blood from all seven mouths and grinding and chattering all seven sets of teeth. These memorable characteristics, along with other sinister qualities in Hoffmann's story, are among those aspects of the original that have been removed in most modem adaptations.Removed from the ballet altogether by Petipa is a vital plot-within-a-plot in the Hoffmann story. This is the fairytale related to Marie while she recovers from injuries sustained in the battle between the forces of the Nutcracker and the Mouse King. As a result, the storyline in the ballet does not really make sensE.In the fairytale, we learn that the Mouse King's desire for vengeance has its origins in his evil mother, the wily Madam Mouserinks, whose first seven sons have been executed by the royal court for eating all the fat from the royal family's sausages. In retribution, Madam Mouserinks has attacked the little Princess Pirlipat in her cradle, turning her into a misshapen creature whose beauty can be restored only if she eats a certain rare, difficult-to-crack nut called Krakatuk.After many years the nut is finally located in Asia by the court clockmaker and wizard, Drosselmeyer, whose young nephew is identified as a prime candidate to crack it. The young man is already known as 'the Nutcracker' for the gallantry he shows in cracking nuts for young ladies in his father's shop. As predicted, he alone is able to crack the hard nut. He offers it to the princess to eat, and her beauty is restoreD.At that moment, however, the Nutcracker chances to step backwards, trampling on none other than Madam Mouserinks. She is fatally injured, but manages to place a curse on the young man before she dies. He is transformed into a grotesque parody of his former self, with a monstrous head, a yawning mouth and a lever in the back by which his jaw may be moved up and down. Madam Mouserinks sentences him to battle her son, the Mouse King, whom she bore after the death of her seven previous sons, and who has their seven heads. The curse may be removed only when the Nutcracker is able to win the love of a young lady in spite of his ugliness....Hoffmann, the author of the original Nutcracker story, was as peculiar as many of his characters. Small and wiry, with sunken eyes and dark bushy hair, he had nervous tics that caused his hands, feet and face to twitch constantly. He adored the music of Mozart (and changed one of his middle names from Wilhelm to AmaA.failureB.popularityC.hitD.criticism
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British cancer researchers have found that childhood leukaemia is caused by an infection, and clusters of cases around industrial sites are the result of population mixing that increases exposurE.The research published in the British Journal of Cancer backs up a 1988 theory that some as-yet unidentified infection caused leukaemia—not the environmental factors widely blamed for the diseasE.'Childhood leukaemia appears to be an unusual result of a common infection,' said Sir Richard Doll, an internationally-known cancer expert who first linked tobacco with lung cancer in 1950. 'A, virus is the most likely explanation. You would get an increased risk of it if you suddenly put a lot of people from large towns in a rural area, where you might have people who had not been exposed to the infection. 'Doll was commenting on the new findings by researchers at Newcastle University, which focused on a cluster of leukaemia cases around the Sellafield nuclear reprocessing plant in Cumbria in northern EnglanD.Scientists have been trying to establish why there was more leukaemia in children around the Sellafield area, but have failed to establish a link with radiation or pollution. The Newcastle University research by Heather Dickinson and Louise Parker showed the cluster of cases could have been predicted because of the mount of population mixing going on in the area, as large numbers of construction workers and nuclear staff moved into a rural setting. 'Our study shows that population mixing can account for the (Sellafield) leukaemia cluster and that all children, whether their parents are newcomers or locals, are at a higher risk if they are born in an area of high population mixing, 'Dickinson said in a statement issued by the Cancer Research Campaign, which publishes the British Journal of Cancer.Their paper adds crucial weight to the 1988 theory put forward by Leo Kinlen, a cancer epidemiologist at Oxford University, who said that exposure to a common unidentified infection through population mixing resulted in the diseasE.Who first hinted at the possible cause of childhood leukaemia being infection?A.Leo Kinlen.B.Richard Doll.C.Louise Parker.D.Heather Dickinson.
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