In March 1998 the Coca-Cola Bottling Company
announced the appointment of a most unlikely new director to its board: Evander
Holyfield, a former heavyweight boxing champion, best-known for having part of
his ear bitten off in a bout by a fellow boxer, Mike Tyson. He was not the only
top athlete at the time with a seat in the boardroom: Michael Jordan, a
celebrated basketball player, was a director of Oakley, a sunglasses
manufacturer. Boards have also recruited from the ranks of
Hollywood. Disney appointed Sidney Poitier to its board in 1994, for example.
Stretching the definition of celebrity a bit, General "Stormin" Norman
Schwarzkopf was appointed a director by the Home Shopping Network in 1996. And
you can take your pick from scores of politicians-turned-directors, including Al
Gore, a former vice-president and a member of Apple’s board since
2003. Gerald Ford was a particularly enthusiastic collector of
boardroom seats after he left the White House. While on the board of American
Express he stunned his fellow directors by asking Harvey Golub, the chief
executive at the time, to explain the difference between " equity" and "revenue
", according to Vicky Ward’s new book on Lehman Brothers, "The Devil’s Casino".
This was perhaps not so surprising for a man Lyndon Johnson once said had
"played too much football with his helmet off". But it prompts a broader thought
about why companies recruit celebrity directors. Michael
Eisner, the boss of Disney when Mr. Poitier joined the board, may have been
right to say that the actor’s "talent is more than screen deep, " and that his
"election to our board brings us not only his exhaustive knowledge of the
entertainment industry but the judgment and wisdom of an exceptional man. " Even
so, it would seem a reasonable assumption that the lack of business nous
displayed by the late President Ford is more typical of the celebrity in the
boardroom. So what is the point of having them Because they
increase the value of the firms whose boards they join, apparently. According to
"Reaching for the Stars: The Appointment of Celebrities to Corporate Boards", a
new study by four American-based economists, simply announcing that a celebrity
joining a board gives the company’s share price a boost. Disney’s share price
jumped by 4.2% on the day Mr. Poitier was appointed. But, for the more than 700
celebrity director appointments (out of over 70, 000 board appointments in all)
that the study examines during 1985-2006, the firms’ shares continued to
outperform significantly over the subsequent one, two and three years.
Why is this In some cases — a former president, say — powerful
connections and the ability to open the right doors were surely a factor. And,
as Mr. Eisner claimed of Mr. Poitier, some celebrities may bring relevant
experience (the study muddies the waters somewhat by including several famous
business people, such as Rupert Murdoch and Martha Stewart, within its
definition of celebrity). On average, the study found a bigger impact on share
prices when celebrity directors had "related" experience than when they had
none. Yet "unrelated" celebrity directors had a bigger impact on share prices
than unrelated non-celebrities, To explain this, the
economists point to the "visibility effect" — that appointing a celebrity hetps
draw the attention of investors to a company which, all else being equal,
increases demand for its shares and thus its share price. Certainly, a celebrity
director seems to increase the proportion of a firm’s shares bought by
institutional investors. So, should companies respond to this
study by picking a few directors at random from the pages of People magazine, or
beating a path to Brangelina Towers It might work, at least for a while. On the
other hand, surely sooner or later investors will realisc that if the
appointment of a director who has nothing to offer but a famous name boosts a
firm’s share price, it delivers a damning verdict on the value of the rest of
the board. Rather than a reason to cheer, perhaps the celebrity effect on
companies’ shares should be seen instead as an indicator that boards are failing
to do their job properly and that they contribute little in return for their
generous pay. Or indeed those professional investors, who ought to know better,
are as starstruck as the readers of gossip magazines. The author gives the examples in the first three paragraphs to
A. support the common view that famous faces have magical effect.
B. show the celebrity effect of famous people on a company’s board.
C. guide the readers to explore the performance of celebrity
directors.
D. stimulate the discussion on why famous people are appointed
directors.