MUNDANE:

A． less praiseworthy because of the absence of new listening strategies that allows listener to perceive their original context
B． evidence of the musical supremacy of Western musical culture in virtue of their interesting use of gender metaphors
C． wholly devoid of immanent musical characteristics, including but not limited to gender
D． usually given interpretations that reveal more about the mindset of musical critics throughout history than the compositions themselves
E． incapable of being explained, aesthetically speaking, by any form of musical criticism

A． tends to deny that some kind of contrast between masculinity and femininity will inevitably exist in any music
B． employs social values to account for the aesthetic choices involved a piece's composition more efficiently than the theory advocated by the author
C． re-inscribes models of gender difference for the most part identical to those it seeks to critique
D． pays closer attention to avant-garde music that may form the model for non-gendered musical forms
E． carries assumptions that for the basis of a more politically responsible strategy for criticizing the gendering of music