TEXT E Whenever you see an old
film, even one made as little as ten years ago, you cannot help being struck by
the appearance of the women taking part. Their hair-styles and make-up look
dated; their skirts look either too long or too short; their general appearance
is, in fact, slightly ludicrous. The men taking part in the film, on the other
hand, are clearly recognizable. There is nothing about their appearance to
suggest that they belong to an entirely different age. This
illusion is created by changing fashions. Over the year, the great majority of
men have successfully resisted all attempts to make them change their style of
dress. The same cannot be said for women. Each year a few so-called top
designers in Paris or London lay down the law and women in the whole world over
rush to obey. The decrees of the designers are unpredictable and dictatorial.
This year, they decide in their arbitrary fashion: skirts will be short and
waists will be high; zips are in and buttons are out. Next year the law is
reversed and far from taking exception, no one is even mildly
surprised. If women are mercilessly exploited year after year,
they have only themselves to blame. Because they shudder at the thought of being
seen in public in clothes that are out of fashion, they are annually
black-mailed by the designers and the big stores. Clothes, which have been worn,
only a few times have to he discarded because of the dictates of fashion. When
you come to think of it, only a woman is capable of standing in front of a
wardrobe packed full of clothes and announcing sadly that she has nothing to
wear. Changing fashions are nothing more than the deliberate
creation of waste. Many women squander vast sums of money each year to replace
clothes that have hardly been worn. Women, who cannot afford to discard clothing
in this way, waste hours of their time altering the dresses they have. Hem-limes
are taken up or let down; waist-lines are taken in or let out; neck-lines are
lowered or raised, and so on. No one can claim that the fashion
industry contributes anything really important to society. Fashion designers are
rarely concerned with vital things like warmth, comfort and durability. They are
only interested in outward appearance and they take advantage of the fact that
women will put up with any amount of discomfort, providing they look right.
There can hardly be a man who hasn’t at some time in his life smiled at the
sight of a woman shivering in a flimsy dress on a wintry day, or delicately
picking her way through deep snow in dainty shoes. When
comparing men and women in the matter of fashion, the conclusions to be drawn
are obvious. Do the constantly changing fashions of women’s clothes, one
wonders, reflect basic qualities of fickleness and instability Men are too
sensible to let themselves be bullied by fashion designers. Do their unchanging
styles of dress reflect basic qualities of stability and reliability That is
for you to decide. The main idea of this passage is ______.
A.new fashions in clothes reflect the qualities of women B.new fashions in clothing are created solely for commercial exploitation of women C.the top designers seem to have the right to creating new fashion D.men have the basic quality of reliability