填空题

Theories of History
Ⅰ. How much we know about history
A. Written records exist for only a fraction of man’s time
B. The accuracy of these records is often (1) , (1) ______
and details in them often needs improvement.
Ⅱ. Reconstruction of history before writing
A. being difficult because of the (2) of history to us (2) ______
B. the most that we can do is: use (3) (3) ______
and the knowledge of the habits of animals.
Ⅲ. Theories about history
A. Objective: to (4) the beginning and (4) ______
deduce the end of man’s story.
B. One theory believes that man continually (5) (5) ______
(6) must be more intelligent and civilized (6) ______
than his ancestors.
—Human race will evolve into a race of (7) (7) ______
C. The second theory holds the man’s history is like a (8) (8) ______
of development.
—Modern man is not the most superior.
—Modem man may be inferior to members of (9) (9) ______
D. The third theory: Human societies repeat a cycle of stages,
but overall progress is (10) in the long historical perspective.(10) ______

【参考答案】

progresses
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单项选择题
The sentence ... to myself the stage seemed very misty... in the 5th paragraph implies that the author [A] did not get a good seat. [B] was short sighted. [C] was a bit sleepy. [D] was just too moved.
Amongst them—though all were delightful—there were two who especially riveted my attention. The first of these two was the tallest of all the children, a dark thin girl, in whose every expression and movement there was a kind of grave, fiery love.
During one of the many dances, it fell to her to be the pursuer of a fair child, whose movements had a very strange soft charm; and this chase, which was like the hovering of a dragonfly round some water lily, or the wooing of a moonbeam by the June night, had in it a most magical sweet passion. That dark, tender huntress, so full of fire and yearning, had the queerest power of symbolising all longing, and moving one’s heart. In her, pursuing her white love with such wistful fervour, and ever arrested at the very moment of conquest, one seemed to see the great secret force that hunts through the world, on and on, tragically unresting, immortally sweet.
The other child who particularly enhanced me was the smallest but one, a brown-haired fairy crowned with a half moon of white flowers, who wore a scanty little rose-petal-coloured shift that floated about her in the most delightful fashion. She danced as never child danced. Every inch of her small head and body was full of the sacred fire of motion; and in her little pas seul she seemed to be the very spirit of movement. One felt that Joy had flown down, and was inhabiting there; one heard the rippling of Joy’s laughter. And, indeed, through all the theatre had risen a rustling and whispering; and sudden bursts of laughing rapture.
I looked at my friend; he was trying stealthily to remove something from his eyes with a finger. And to myself the stage seemed very misty, and all things in the world lovable; as though that dancing fairy had touched them with tender fire, and made them golden.
God knows where she got that power of bringing joy to our dry hearts: God knows how long she will keep it! But that little flying Love had in her the quality that lie deep in colour, in music, in the wind, and the sun, and in certain great works of art—the power to see the heart free from every barrier, and flood it with delight.