单项选择题

I was eight years old the first time I fainted. I was at friend’s house, and a bee stung me on the back of the neck. I had felt nothing but a slight pinch and the bug was soon wiped away and flushed down the toilet, but since I looked pale I was urged to call my mother. As I told her what had happened, I felt myself blacking out, sinking to the floor, vaguely aware that I was still gripping the receiver.
Perhaps I was allergic to the bee sting—the only one I’ve ever gotten, although to this day I have a phobia about bees, wasps, and other insects. But the image of an eight-year-old in Keds crumpling to the ground while he describes his injury to his Mommy seems to return us to Freudian territory. Note the umbilical image of the phone cord.
Call me fanciful. Still, I’m afraid these undertones are hardly dissipated by the second fainting incident I can recall, which practically reeks of the family romance. This took place one weekend morning while we were gathered in the kitchen to eat breakfast. My mother stood at the stove making French toast, which she had already served to the kids; my father, seated at the table, was cutting a bagel with a sharp bread knife. Contrary to every principle of kitchen safety, he was holding the bagel in his hand and cutting inward, and eventually he made a neat, shallow incision in his palm. The blood was profuse.
Being a hematologist, my father didn’t panic: this was just business as usual. But my mother stopped flipping French toast and collapsed to the floor. I, inspired by the blood and my mother’s collapse and the powerful odors of syrup and sugar rising from my plate, slumped forward. My forehead went into the syrup. I heard a roar—it seemed to me that I was being clutched beneath the armpits and whirled around—and then my father shook me back into consciousness. He had already attended to my mother.
Still think I’m fanciful? Then listen to this. Out of curiosity I asked my mother when her first fainting episode had occurred.
She paused, thought it over, and came up with the following. At the age of thirteen, she went to visit her father in the hospital, who only the day before had had his appendix removed. Aside from her father, still conked out from the anesthesia, the other person in the room was a nurse, who was busy changing the dressing on the patient’s incision, which hadn’t quite closed. For some reason, the nurse had to leave the room. At this point, she asked my mother to hold the soiled dressing in place until she returned. My mother complied. Standing over her dazed father, gingerly holding a used bandage over a hole in his lower abdomen, the thirteen-year-old grew lightheaded. I assumed the nurse returned before she hit the floor.
It can be gathered from this article that the tendency to faint most probably is _____.

A.geneticallydetermined
B.independentlydeveloped
C.virusinfected
D.emotionallyaffected
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单项选择题
I was eight years old the first time I fainted. I was at friend’s house, and a bee stung me on the back of the neck. I had felt nothing but a slight pinch and the bug was soon wiped away and flushed down the toilet, but since I looked pale I was urged to call my mother. As I told her what had happened, I felt myself blacking out, sinking to the floor, vaguely aware that I was still gripping the receiver.Perhaps I was allergic to the bee sting—the only one I’ve ever gotten, although to this day I have a phobia about bees, wasps, and other insects. But the image of an eight-year-old in Keds crumpling to the ground while he describes his injury to his Mommy seems to return us to Freudian territory. Note the umbilical image of the phone cord.Call me fanciful. Still, I’m afraid these undertones are hardly dissipated by the second fainting incident I can recall, which practically reeks of the family romance. This took place one weekend morning while we were gathered in the kitchen to eat breakfast. My mother stood at the stove making French toast, which she had already served to the kids; my father, seated at the table, was cutting a bagel with a sharp bread knife. Contrary to every principle of kitchen safety, he was holding the bagel in his hand and cutting inward, and eventually he made a neat, shallow incision in his palm. The blood was profuse.Being a hematologist, my father didn’t panic: this was just business as usual. But my mother stopped flipping French toast and collapsed to the floor. I, inspired by the blood and my mother’s collapse and the powerful odors of syrup and sugar rising from my plate, slumped forward. My forehead went into the syrup. I heard a roar—it seemed to me that I was being clutched beneath the armpits and whirled around—and then my father shook me back into consciousness. He had already attended to my mother.Still think I’m fanciful? Then listen to this. Out of curiosity I asked my mother when her first fainting episode had occurred.She paused, thought it over, and came up with the following. At the age of thirteen, she went to visit her father in the hospital, who only the day before had had his appendix removed. Aside from her father, still conked out from the anesthesia, the other person in the room was a nurse, who was busy changing the dressing on the patient’s incision, which hadn’t quite closed. For some reason, the nurse had to leave the room. At this point, she asked my mother to hold the soiled dressing in place until she returned. My mother complied. Standing over her dazed father, gingerly holding a used bandage over a hole in his lower abdomen, the thirteen-year-old grew lightheaded. I assumed the nurse returned before she hit the floor.One most plausible reason that the author’s father did not panic when he cut himself is _____.
A.Hehadservedinthearmy
B.Hewastheheadofthefamily
C.Hetriedtomaintainhisauthority
D.Hewasanexpertonblood
单项选择题
What is the charm of necklaces? Why would anyone put something extra around her neck and then invest it with special significance? A necklace doesn’t afford warmth in cold weather, like a scarf, or protection in combat, like chain mail; it only decorates. We might say it borrows meaning from what it surrounds and sets off: the head with its supremely important material contents, and the face, that register of the soul. When photograph reduces the reality it represents, they mention not only the passage from three dimensions to two, but also the selection of a?point du vue?favors the top of the body rather than the bottom and the front rather than the back. The face is the jewel in the crown of the body, and so we give it a setting.When people are intensely concerned with something that is obviously impractical, anthropologists take note, for lovely useless things often express archaic to exist in contemporary American houses already heated by gas and electricity, yet most people want one and it is still the focus of the living room. This desire testifies, I think, to the hundreds of thousands of years during which we Homo sapiens huddled around a cave fire. We watch ourselves, rather anxiously, vanish backward down those lone temporary corridors, as my daughter gazes at her infinitely multiplied small self in the mutually opposed mirrors of the beauty salon, and wonders, is it me? Our fireplaces and necklaces and tombstones say it is, they are.In American culture, an interest in necklaces seems to be rather gender specific. Many men to whom I mention the enterprise feign polite interest and then change the subject, though I know some who admire, construct, and wear necklaces, including the distinguished scientist and poet to whom this essay is dedicated. Most women, by contrast, become mildly or wildly enthusiastic. A doctor in Blois brought out her entire collection of costume jewelry for me, exhibited the most splendid pieces with an account of where and when they were purchased, and then explain them all with the help of a large glossy book on the history of costume jewelry, with dozens of pictures. A former student of mine who had moved to California mailed me six plastic boxes full of beads gleaned from a warehouse managed by an eccentric friend who just their settings; a feature bead painted with a naked lady; crystal roundels of truly exceptional shine; and tiny silver hematite seed beads. Beads lend themselves to exchange, Beads travel. And clearly these two facts are related.The function of the necklace is to _____.
A.keeppeoplewarm
B.providepeoplewithprotection
C.makepeoplebeautiful
D.builduppeople’sconfidence