TEXT A Almost a century after his
death, the well-known French author Jules Verne has once again managed to fire
the imagination of people around the world, this time with an unpublished novel,
Paris in the 20th Century. The manuscript, completed in 1863 but long locked
away in a safe, was uncovered only in 1989 by Verne’s great-grandson, and it
appeared in English translation just a few months ago. This 19th-century vision
of the future describes life among skyscrapers of glass and steel, high-speed
trains, gas-powered automobiles, calculators, fax machines and a global
communications network. The prescience of these forecasts matches what one would
have expected from the author who introduced countless readers of his age to a
host of technological marvels, from submarines to helicopters and
spacecraft. But in fact, Paris in the 20th Century is a tragedy.
It describes the life of an idealistic young man who struggles to find happiness
in the fiercely materialistic dystopia that Paris has become by 1920. Like
George Orwell’s 1984, Verne’s novel is a grim and troubling comment on the human
costs of technological progress. That such a message should come
from Jules Verne proves surprising to many. Most people – particularly in
America -- assume that Verne wrote about the wonders of technology because he
was himself an optimistic scientist. Many also believe Verne wrote primarily for
children, crafting novels that were invariably exciting but intellectually
shallow. These misconceptions show how Verne’s current status has completely
shadowed the reality of his life and writings. They are part of the continuing
misunderstanding of this author, a result of some severely abridged translations
and simplified adaptations for Hollywood cinema. In troth, Verne
was neither a scientist nor an engineer: he was simply a writer -- and a very
prolific one. Over his lifetime, Verne produced more than 2 novels. Yet his
works were carefully grounded in fact, and his books inspired many leading
scientists, engineers, inventors and explorers, including William Beebe (the
creator and pilot of the first bathysphere), Admiral Richard Byrd (a pioneer
explorer of Antarctica), Yuri Gagarin (the first human to fly in space) and Neil
Armstrong (the first astronaut to walk on the moon). Verne’s novels were thus
profoundly influential, and perhaps uniquely so. Although novels
with scientific foundation had been written before, Verne raised the technique
of scientific description to a fine art. And this type of science fiction, based
on accurate descriptions of science and technology, has tended to dominate the
trend ever since. But Verne’s devotion to technical detail does not reflect an
confidence in the virtues of science. Indeed, his earliest writings -- a mixture
of plays, essays and short stories -- were distinctly critical of science and
technology. It was only the strict monitor of his publisher,
Pierre-Jules Hetzel, that steered Verne toward what eventually made him famous:
fast-paced adventure tales heavily flavored with scientific lessons and an
optimistic ideology. And although his own attitude was quite different, Verne
offered little resistance to Hetzel. After the release of his initial book in
1863, the first in a series of novels published under the banner "Extraordinary
Voyages: Voyages in Known and Unknown Worlds", Verne explained to his friends at
the Paris stock market (where he had been working part-time to make ends meet)
about his accomplishment. "My friends .... I’ ye just written a
novel in a new style... If it succeeds, it will be a gold mine." He was
right. Under Hetzel’ s continual guidance, Verne created one
novel after another, each fundamentally of this same type. But most of the works
published after Hetzel’ s death in 1886 show Verne returning to his original
themes -- championing environmentalism, anticapitalism and social responsibility
while questioning the benefits that science and technology could bring to an
imperfect world. To understand how Verne’s later writings could differ so
completely from popular image of him requires a closer understanding of the man
and his times. According to the passage, how does the author think about Jules Verne
A.A stranger. B.A scientist whose job was to discover the future and cast new technology in a darker light. C.From the start, the father of science fiction was gravely concerned with the dangers of technology. D.He was either a scientist or an engineer.