The author implies that an advantage of McClary's form of musical criticism over that favored by the author is that it
A．tends to deny that some kind of contrast between masculinity and femininity will inevitably exist in any music B．employs social values to account for the aesthetic choices involved a piece's composition more efficiently than the theory advocated by the author C．re-inscribes models of gender difference for the most part identical to those it seeks to critique D．pays closer attention to avant-garde music that may form the model for non-gendered musical forms E． carries assumptions that for the basis of a more politically responsible strategy for criticizing the gendering of music