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James Michener In his
long writing life, James Michener aimed to donate at least 90 percent of what he
earned from his 43 novels. He seems to have more than made his goal; at his
death, in October 1997, his assets were estimated at less than US $ 10 million.
He had given away US $ 117 million. Michener makes a good
example for other philanthropists, not just in how much he gave, but in his
style of giving. The writer worked hard at doing good, following up his
donations to see how the money was used. He gave to things for which he had a
passion, and he had a lot of fun in doing so. Michener was 90,
when he died. He was on Fortune magazine’s list of America’s top 25
philanthropists--the only writer in a crowd of tycoons. Asked, shortly before
his death, whether he ever wished he had his millions back, he said sure, so
that he should have the pleasure of giving them away again. Too
often, says Nelson Aldrich, editor of The American Benefactor, a magazine about
philanthropists, the rich give without much imagination. "They give to the
college they went to, and the hospital where they’ll die," says. "And most
of the rich are stingy; few give even as much as 10 percent, the traditional
title. They hold on to the myth of not darkness capital."
Michener did, in fact, give to his college - US $ 7.2 million to
Swarthmore, in Pennsylvania. He called it a repayment for the US $ 2,000
basketball scholarship they gave him in 1925. As he wrote to the college
president in 1969," Coming as I did from a family with no income at all, and
with no prospects whatever, college was the narrow door that led from darkness
into light." His will leaves almost everything to Swarthmore,
including fire, re royalties from his books. Michener always described himself
as a founding, beta in New York City and raised by Mabel Michener, a Quaker
widow, in Doylestown, Pennsylvania. She lived, he said, by taking in other
people’s children and other people’s laundry. For his last 15 years, Michener
lived modestly in Austin, Texas, where he has moved to write the 1,000 - page
saga Texas. Each of his big best sellers, including Texas, Hawaii and Covenant
made about US $ 5million. And there were 20 of them. What’s more, he still
collected royalties from the musical and movie South Pacific, which was inspired
by his first book, Tales of the South Pacific, written when he was 40.
Frail from kidney disease in his last years, Michener was pretty much
confined to a reclining chair in a small study, simply decorated. There were few
personal possessions besides some photos of himself and his last wife, and as
unframed faded poster of Tahiti. A source of pleasure and
company in those years was the Texas Centre for Writers. His largest gift,
to-tailing US $ 64.2 million, went to the University of Texas, with US $ 18
million going to found and support the writers’centre. He got a lot back, he
said--" You meet bright people, you can consult with anybody there, and there
are 23 libraries on campus." Every year Michener would meet with
the 10 incoming students, one by one, and he went out with them every fall to
the salt Lick barbecue restaurant, lie often ale at the college cafeteria,
centre director James Magnuson recalls. He enjoyed their barbecue chicken
special. His gift to the Texas Centre included hundreds of
modern American paintings worth a total of US $ 31 million. His US $ 25 million
collection of Japanese prints had already been donated to Honolulu’s city art
gallery. His next largest gift was $ 11.5 million to two museums and the library
in his hometown of Doylestown. Michener’s smaller gifts also
reveal a lot about where his affections lay. And they reveal that it was a very
good thing to have James Miehener working in your vicinity. While researching
Alaska, for example, he lived in a log cabin near the tiny Sheldon Jackson
College in Sitka. He used the campus library and sat and talked to students in
the cafeteria. After he left, he gave the college US $ 750,000 for
scholarships. After living in Houston on write Space, he endowed
a college scholarship fund for the children of Nasa employees pursuing careers
in science or engineering. Since 1982,73 scholarships have been given
out. After writing Centennial, on the settling of the West,
Michener donated US $ 50,000 to help pay for the Nebraska National Trails
Museum. The University of Miami, where Michener did his research for Caribbean
,got US $ 1 million for a writing programme for graduate students ,especially
those from the islands. Similarly, after finishing Poland, Michener established
a US $ 400,000 fund to support Polish writers. Michener
considered himself a professional. writer, not an author; "author" struck him as
a pretentious term. Like his writing, his philanthropy was intended to educate;
thus this support of colleges, libraries and museums. Michener
was generous to writers, whose books were very different from him. For example,
he endowed a US $ 30,000 ------- as year fellowship at the University of Houston
named for Donald Barthelme, a notably surreal and sophisticated fiction
writer. Michener endowed eight fellowships a year for graduates
of the Univeristy of Iowa Writers Workshop, where the books produced tend to be
slimmer, subtler and moodier than the typical Michener. The money was to support
the young poets and novelists for a year while they struggled to get published.
Frank Conroy, work-shop director, remembers, "It wasn’t just a case of, here’s
some money, go and do good.’ He was a man who knew it was not easy to do good.
You have to think, and think hard, to do good." Which title is more appropriate to express the primary idea