填空题

It is a timeworn sign of old age and frailty.
Yet arthritis often (1) ______ the young. (1) ______
This disease of the body also has a (2) ______ impact on the mind. (2) ______
"got very (3) ______. I couldn’t sleep. (3) ______
When pain is (4) ______ like that, it changes your personality. (4)______
And it affected everyone around me," says Nora Baldner, who had arthritis in both hips. "I’d pour (5) ______ milk
on my kids’ cereal because I didn’t want to walk to the back of the supermarket where the real milk was." (5) ______
Joint problems are now hurting and crippling 43 million Americans, and they’re more (6) ______ than cancer or
diabetes. (6) ______
The most common form, osteoarthritis, affects about 21 million. Rheumatoid arthritis, another common type, hits
slightly more than 2 million. (There are 95 or so other forms, often affecting fewer people.)
And the numbers are going up (7) ______. (7) ______
By 2025, the total is expected to top (8) ______ million, (8) ______
as an obese population pounds more heavily on its joints and an active generation of baby (9). ______ grinds them
down. (9) ______
What’s worse, these people will be fighting the disease without medicines that had become staples of treatment: The
drugs Vioxx and Bextra have just been yanked off the market because they appear to (10) ______ the risk of heart disease,
(10) ______
and that same shadow of fear has been cast over remaining drugs like Celebrex and even ibuprofen-- a medicine that
had already worded doctors because heavy use can cause bleeding in the stomach.

【参考答案】

steadily
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单项选择题
Which of the following is NOT the point of the last paragraph [A] To describe how fantastic the dance is. [B] To express his gratefulness to god. [C] To show his deep feeling after seeing the dance. [D] To share with readers his understanding of the dance.
Amongst them—though all were delightful—there were two who especially riveted my attention. The first of these two was the tallest of all the children, a dark thin girl, in whose every expression and movement there was a kind of grave, fiery love.
During one of the many dances, it fell to her to be the pursuer of a fair child, whose movements had a very strange soft charm; and this chase, which was like the hovering of a dragonfly round some water lily, or the wooing of a moonbeam by the June night, had in it a most magical sweet passion. That dark, tender huntress, so full of fire and yearning, had the queerest power of symbolising all longing, and moving one’s heart. In her, pursuing her white love with such wistful fervour, and ever arrested at the very moment of conquest, one seemed to see the great secret force that hunts through the world, on and on, tragically unresting, immortally sweet.
The other child who particularly enhanced me was the smallest but one, a brown-haired fairy crowned with a half moon of white flowers, who wore a scanty little rose-petal-coloured shift that floated about her in the most delightful fashion. She danced as never child danced. Every inch of her small head and body was full of the sacred fire of motion; and in her little pas seul she seemed to be the very spirit of movement. One felt that Joy had flown down, and was inhabiting there; one heard the rippling of Joy’s laughter. And, indeed, through all the theatre had risen a rustling and whispering; and sudden bursts of laughing rapture.
I looked at my friend; he was trying stealthily to remove something from his eyes with a finger. And to myself the stage seemed very misty, and all things in the world lovable; as though that dancing fairy had touched them with tender fire, and made them golden.
God knows where she got that power of bringing joy to our dry hearts: God knows how long she will keep it! But that little flying Love had in her the quality that lie deep in colour, in music, in the wind, and the sun, and in certain great works of art—the power to see the heart free from every barrier, and flood it with delight.