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In the process of exploring truth, people will have to expe......

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在兽类中我最爱虎，在虎的故事中我最爱下面的一个。深山中有一所古庙，几个和尚在那里过着单调的修行生活。同他们做朋友的，除了有时上山来的少数乡下人，就是几只猛虎。虎不惊扰僧人，却替他们守护庙宇。作为报酬，和尚把一些可吃的东西放在庙门前。每天傍晚，夕阳染红小半个天空，虎们成群地走到庙门口，吃了东西，跳跃而去。庙门大开，僧人们安然在庙内做他们的日课，也没有谁出去看虎怎样吃东西，即使偶尔有一两个和尚立在门前，虎们亦视为平常的事情，把他们看做熟人，不去惊动，却斯斯文文地吃完走开。
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As a probing psychologist Faulkner is the unrivalled master among all living British and American novelists. Neither do any of his colleagues possess his fantastic imaginative powers and his ability to create characters. His subhuman and superhuman figures, tragic or comic in a macabre way, emerge from his mind with a reality that few existing people—even those nearest to us—can give us, and they move in a milieu whose odors of subtropical plants, ladies’ perfumes, Negro sweat, and the smell of horses and mules penetrate immediately even into a Scandinavian’s warm and cosy den. As a painter of landscapes he has the hunter’s intimate knowledge of his own hunting-ground, the topographer’s accuracy, and the impressionist’s sensitivity. Moreover—side by side with Joyce and perhaps even more so—Faulkner is the great experimentalist among twentieth-century novelists. Scarcely two of his novels are similar technically. It seems as if by this continuous renewal he wanted to achieve the increased breadth which his limited world, both in geography and in subject matter, cannot give him.
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