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Books, even in this age of cheap literature, cost money? The shortage of paper, together with the high cost of living, has made books an expensive item in our list of requirements. This would mean that fewer people can afford to have them. Yet there are people who think nothing of spending money on a rich dinner, but don’t like to spend the same sum on books. Therefore the time has come for a new public library policy to be introduced, for the higher the price of books the greater the need to give them the widest circulation possiblE.
The Hong Kong Government has set up Urban (城市的) Council Libraries and study rooms in various districts. There is no doubt that when books are Wisely selected, they have a great education- al value, and have done much to encourage the habit of reading among the peoplE.
For setting up libraries, some factors should be taken into consideration. In the first place, it is not enough to have just a building, equip it with shelves and fill them with books. The library building itself must be attractive in structure, desirable in atmosphere, and uncumbered in administration. Then secondly, there is the choice of suitable books to look into. This presents difficulties: though most of the books are novels and most of the readers are novel-readers, moreover, reading fiction is quite a source of amusement and pleasurE.Also, it is a means of broadening one’s mind and learning more about life and human being. Yet, there should always be a good selection of serious books--history, biography, travel, poetry and literature--which are appreciated by many readers.
According to this passage, some people ______.
A.give less consideration to books than food
B.can hardly afford time to read books
C.know nothing about the value of education
D.should have spent more money on daily needs

A.According
B.
A.give
C.can
D.know
E.should

【参考答案】

A
解析:该题答案从第一段中可以做出正确选择。由于生活费用高涨,纸张短缺而导致的书价上涨使得很少有人能买得起书。......

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That Louis Nevelson is believed by many critics to be the greatest twentieth-century sculptor is all the more remarkable because the greatest resistance to women artists has been, until recently, in the field of sculptor. Since Neolithic times, sculpture has been considered the prerogative of men, partly, perhaps for purely physical reasons: it was erroneously assumed that women were not suited for the hard manual labor required in sculpting stone, carving wood, or working in metal. It has been only during the twentieth century that women sculptors have been recognized as major artists, and it has been in the United States, especially since the decades of the fifties and sixties that women sculptors have shown the greatest originality and creative power. Their rise to prominence parallels the development of sculpture itself in the United States, while there had been a few talented sculptors in the United States before the 1940s, it was only after 1945--when New York was rapidly becoming the art capital of the world--that major sculpture was produced in the United States. Some of the best were the works of women.By far the most outstanding of these women is Louis Nevelson, who in the eyes of many critics is the most original female artist alive today. One famous and influential critic, Hilton Kramer, said of her work, 'For my- self, I think Ms. Nevelson succeeds where the painters often fail.'Her work have been compared to the Cubist constructions of Picasso, the Surrealistic objects of Miro, and Merzbau of Schwitters. Nevelson would be the first to admit that she has been influenced by all of these, as well as by American sculpture, and by native American and pre-Columbian art, but she has absorbed all these influences and still created a distinctive art that expresses the urban landscape and the aesthetic sensibility of the twentieth century. Nevelson says, 'I have always wanted to show the world that art is everywhere except that it has to pass through a creative minD.'Using mostly discarded wooden objects like packing crates, broken pieces of furniture, and abandoned architectural ornaments, all of which she has hoarded for years, she assembles architectural constructions of great beauty and power. Creating very freely with no sketches, she glues and nails objects together, paints them in boxes. These assemblages, walls, even entire environments create a mysterious, almost awe-inspiring atmosphere Although she denied any symbolic or religious intent in her works, their three-dimensional grandeur and even their titles, such as Sky Cathedral and Night Cathedral, suggests such connotations. In some ways, her most ambitious works are closer to architecture than to traditional sculpture, but then neither Louis Nevelson nor her art fits into any neat category. (450)The passage focuses primarily on ______.A.a general tendency in twentieth-century artB.the work of a particular artistC.the artist influences on women sculptorsD.materials used by twentieth-century sculptors
A.B.'
C.'
D.
A.a
E.the
F.the
G.materials