TEXT D Out in the street at last,
the man stopped running and looked back at the steps of the gallery. The woman
was not following him. All the same, he went across to where the car was parked.
But as there was still no sign of her he didn’t drive away. His wife would be
along shortly—she was only picking up odds and ends for the kids at some shop
around the corner where there was a closing-down sale. What a fool he was to
have gone into the cursed gallery. Just because he had found a parking place
opposite it! If he’d bought an evening paper and waited for Annie in the car
he’d have saved himself a nasty fright, because now he felt certain that the
crazy woman could not have been Eterna. Not in those outlandish clothes! Not
with that daft look in her eyes as she strayed from painting to painting,
causing everyone to stare. If it was Eterna, wouldn’t he have
noticed her the minute he went into the place, instead of merely turning to see
why other people were staring Even then, he wouldn’t have given the poor soul a
second glance if he hadn’t fancied a resemblance. But when he found her eyes
fixed on him he lost his head and ran, although he was vaguely aware, even then,
that her daft gaze had already wandered away from him. That was another thing.
If it was Eterna, wouldn’t she have recognized him It was
mortifying to think that he had lost control to such an extent that he ran.
Supposing one of his patients had been there and seen him. It was unlikely,
though, that anyone up from the country for a precious half day in Dublin would
waste time in the National Gallery. He relaxed. He lit a cigarette and settled
down to wait for Annie. Why had he gone into the gallery at all
He had probably fallen into a nostalgic mood, thinking of all the exhibitions
he’d attended there before he was qualified and when he still entertained
notions of a practice in Dublin. In those days, going to art exhibitions,
symphony concerts, operas, and that sort of thing seemed as important for his
advancement as going to his lectures. Ah, well, he’d better not tell Annie about
his little adventure. Not that she’d give a damn whether it was Eterna or
not—she’d be concerned only at his having gone into the gallery at all, at his
backsliding into intellectual snobbery, or what she called professional
posturing— "Tommyrot" was the word she had actually used the first time he met
her, or rather the first time they had what could be considered a real
conversation. After coming out of the art gallery and reaching his car, the man felt, above everything else______.
A.greatly relieved, and called himself a fool for having gone into the gallery B.deeply sad, and fell into nostalgia about his past life and lost romance C.extremely mortified, and worried that he had been seen by one of his clients D.very frightened, and couldn’t clear his mind of the terrible image of the woman