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Exposition Exposition is writing that explains. Most of the books in university i braries are examples of exposition. Although exposition is often formal and______, it appears also in [1] ______ magazines and newspapers, in any place where people look for explana- tions. It is a writing with which we attempt to control our world, whether our means of doing so is a complicated system of philosophy or a cook book or a medical instruction. [2] ______ Exposition is a wide net. If the______ purpose of the writer is to [3] ______ tell a story, the writing is______ rather than exposition. If the writer [4] ______ tends to tell us how something looks, we may call it______. The subject of the expository writer may be people, things, ideas or a combination of [5] ______ these, but always he is a man thinking, interpreting, informing and per- [6] ______ suading. He is more likely to appeal to our______ by using evidence and logic. [7] ______ ______seldom is a piece of writing pure exposition. So the. exposito- ry writer will do well to remember that his primary purpose --the purpose that guides and shapes his total organization--is to explain by and to show relationships. [8] ______ The writing of exposition begins in an understanding of the broad pur- pose to be achieved. It begins in the writer’ s head. Before the writing, the [9] ______ expository writer must ask himself four questions: What specific purpose do I intend to make Is it worth making7 For whom am I making And how [10] ______ can I best convey my point to my readers.______ the writer has careful- ly answered these questions, no amount of good grammar and correct spell- ing will save him, and his composition is already worthless even before he begins to scrible. Once the writer is ______what point he intends to make, his comportion is already half organized. With his reader in mind, he has already solved many of his problems of diction and ______as well.

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I feel that this award was not made to me as a man but to my work - a life’ s work in the agony and sweat of the human spirit, not for glory and least of all for profit, but to create out of the materials of the human spirit something which did not exist before. So this award is only mine in trust. It will not be difficult to find a dedication for the money part of it commensurate with the purpose and significance of its origin. But I would like to do the same with the acclaim too, by using this moment as a pinnacle from which I might be listened to by the young men and women already dedicated to the same anguish and travail, among whom is already that one who will some day stand here where I am standing.Our tragedy today is a general and universal physical fear so long sustained by now that we can even bear it. There are no longer problems of the spirit. There is only the question: When will I be blown up Be cause of this, the young man or woman writing today has forgotten the problems of the human heart in conflict with itself which alone can make good writing because only that is worth writing about, worth the agony and the sweat.He must learn them again. He must teach himself that the basest of all things is to be afraid; and, teaching himself that, forget it forever, leaving no room in his workshop for anything but the old verities and truths of the heart, the old universal truths lacking which any story is ephemeral and doomed - love and honor and pity and pride and compassion and sacrifice. Until he does so he labors under a curse. He writes not of love but of lust, of defeats in which nobody loses anything of value, of victories without hope and worst of all without pity or compassion, his grieves grieve on no universal bones, leaving no scars. He writes not of the heart but of the glands.
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