单项选择题

Back in the .16th century, political plays were all about men. Not now. For some time, American female playwrights have followed the (1) of Wendy Wasserstein, a 50-year-old Brooklyn-born dramatist, whose work has focused (2) family drama and personal (3) . Overtly political plays were considered (4) and unfashionable. But this is no longer so often the (5) .
A new generation of female playwrights (6) tackling such subjects (7) racism, rape and apartheid. The quality of these plays has varied (8) . The best (9) their subjects with nuance and subtlety, while it is the more controversial pr6ductions (10) fall flat. With topical issues now the stuff 0fshallow, made-for-television movies, audiences are looking to the theatre for something more (11) .
Rebecca Gilman’s previous play, "Spinning into Butter", dealt with white racism in academia; her current drama, "Boy Gets Girl", gives a feminist take on male searching and objeetificati6n of women. Kia Corthron has three plays, including "Force Continuum", (12) with racial issues (13) or coming to the New York stage this year. But perhaps the most (14) recent play on political themes to (15) is "The Syringa Tree", a one-woman show about segregation in South Africa in the 1960s, written and (16) by Pamela Glen. (17) the play had trouble (18) an audience when it (19) in September last year, critical acclaim and persistent word-of-mouth followed, gradually (20) to make "The Syringa Tree" one of the city’s most popular offerings.

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