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communicate with→communicate
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我时常收到好心的编辑寄来的电脑报刊,面对那些每个字都认识、就是看不懂的天书,心想,这不是给文盲寄报刊吗说来惭愧,别说上网,我连打字都不会,几次走近电脑,几次又离开它,它一点儿也不让我感到亲近。我怕一切机器,怕那些键子,那个蹦来蹦去的鼠标。让我感到安慰的是,白岩松写稿子也是手写。他说,笔尖触着纸的感觉是种享受。我有同感,也找到了一个说法儿。可到了1999年,我不能心安理得了。那天给师母送稿子,手写的,又有点儿乱。师母说:“没关系,我在电脑上打出来。”“您”师母说:“是啊,我70岁学的。”惊得我一下子没了话。出了门,第100次下决心,该学电脑了。
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To see the object as in itself it really is, has been justly said to be the aim of all true criticism what ever; and in aesthetic criticism the first step towards seeing one’s object as it really is, is to know one’s own impression as it really is. to discriminate it, to realize it distinctly. The objects with which aesthetic criticism deals--music, poetry, artistic and accomplished forms of human life--are indeed receptacles of so many powers or forces: they possess like the products of nature, so many virtues or qualities. What is this song or picture, this engaging personality presented in life or in a book, to me What effect does it really produce on me Does it give me pleasure And if so, what sort or degree of pleasure How is my nature modified by its presence, and under its influence The answers to these questions are the original facts with which the aesthetic critic has to dm and ,as in the study of light, of morals, of number, one must realize such primary data for one’s self, or not at all. And he who experiences these impressions strongly, and drives directly at the discrimination and analysis of them, has no need to trouble himself with the abstract question what beauty is in itself, or what its exact relation to truth or experience metaphysical questions, as unprofitable as metaphysical questions elsewhere. He may pass them all by as being, answerable or not, of no interest to him.
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