The cinema has learned a great deal from the theater about presentation. Gone are the days when crowds were packed on wooden benches in tumble-down buildings to gape the 1. ______ antics of silent, jerking figures on the screen, where some poor pianist made frantic efforts 2. ______ to translate the dramas into music. These days it is quite easier to find a cinema that 3. ______ surpasses a theater in luxury. Even in small villages, cinemas are spacious, well-lit and well ventilated places where one can sit for comfort. The projectionist has been trained to give 4. ______ the audience time to prepare themselves for the film they are to see. Talk drops to a whisper and then fades out together. As soon ad the cinema is in darkness, spotlights are focused on 5. ______ the curtains which are drawn slowly apart, often to the accompany of music, to reveal the 6. ______ title of the film. Everything has carefully contrived so that the spectator will never actually 7. ______ see the naked screen which will remind him all too sharply that what he is about to see is nothing merely shadows flickering on a white board. However much the cinema tries to 8. ______ simulate the conditions in a theater, it never fully succeeds. Nothing can equal to the awe and 9. ______ sense of hushed expectation which is felt by a theater audience as the curtain is slowly risen. 10. _____