The passage would be most likely to appear as part of
(A) a book review summarizing an innovative new approach to analyzing the source of gender codes in music (B) an essay describing broad trends in the practice of musical criticism (C) a textbook on the application of new critical methods to older forms of music (D) a report to musicologists on the relationship between gendered music and the avant-garde (E) an article supplying reasons why the critic is just as important as the composer in establishing the gendering of a piece of music