单项选择题

Just how does a person arrive at an idea of the kind of person that he is? He develops this (1)_____ of self through a gradual and complicated (2)_____ which continues throughout life. The notion is an (3)_____ that one establishes only with the help of others. (4)_____ the elementary knowledge that one is short or tall is a comparative judgment that we cannot make (5)_____ we have the opportunity to (6)_____ ourselves with others. One's idea of qualities which are harder to (7)_____ is even more dependent upon other people's ideas.
Whether one is intelligent, or stupid; attractive, or ugly; these and many other ideas of the self are (8)_____ from the reactions of people with whom we (9)_____ This process of (10)_____ the nature of the self from the reaction of others has been labeled the 'Looking-glass Self' by Cooley, who carefully analyzed this psychological (11)_____ of self-discovery.
Just as the picture in the mirror gives an image of the physical self, (12)_____ the perception of the reactions of others gives an image of the social self. We know, (13)_____, that we are good at certain things and not at others. This (14)_____ came to us from the reactions of other persons, first our parents and then other individuals (15)_____ in life. It should be remembered that, as other people's reactions could be (16)_____ and understood in more than one way, the looking-glass self with which the individual (17)_____ may easily differ from the image others have actually formed of his (18)_____ Clearly, it is our perception of the responses of others and not their (19)_____ responses that (20)_____ our self-image, and these perceptions are often not accurate.
A.consent
B.label
C.frame
D.concept

A.
B.
C.
A.consent
B.label
C.frame
D.concept
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单项选择题
It was a fixing sight: there, in the Capitol itself, a U.S. Senator often mocked for his halting, inarticulate speaking, reached deep into his Midwestern roots and spoke eloquently, even poetically, about who he was and what he believed, stunning politicians and journalists alike. I refer, of course, to Senator Jefferson Smith. In Frank Capra's classic Mr. Smith Goes to Washington, Jimmy Stewart plays this simple, idealistic small-town American, mocked and scorned by the big-moneyed, oh-so-sophisticated power elite—only to triumph over a corrupt Establishment with his rock-solid goodness. At root, it is this role that soon-to-be-ex-Senator Bob Dole most aspires to play: the self effacing, quietly powerful small-town man from Main Street who outwits the cosmopolitan, slick-talking snob from the fleshpots. And why not? There is, after all, no more enduring American icon. How enduring? Before Americans had a Constitution, Thomas Jefferson was arguing that the new nation's future would depend on a base of agrarian yeomen free from the vices inherent in big cities. In 1840 one of the classic, image-driven presidential campaigns featured William Henry Harrison as the embodiment of rural virtues, the candidate of the log cabin and hard cider, defeating the incumbent Martin Van Buren, who was accused of dandified dress and manners. There is, of course, a huge disconnect between this professed love of the simple, unspoiled life and the way Americans actually live. As a people, Americans have spent the better part of the 20th century deserting the farms and the small towns for the cities and the suburbs; and are torn between vacationing in Disney World and Las Vegas. U.S. politicians too haven't exactly shunned the temptations of the cosmopolitan life. The town of Russell, Kansas, often seems to be Dole's running mate, but the candidate spends his leisure time in a luxury condominium in Bal Harbor, Florida. Bill Clinton still believes in a place called Hope, but the spiffy, celebrity-dense resorts of Martha's Vineyard and Jackson Hole are where he kicks back. Ronald Reagan embodied the faith-and-family pieties of the front porch and Main Street, but he fled Iowa for a career and a life in Hollywood. Still, the hunger for the way Americans believe they are supposed to live is strong, and the distrust of the intellectual hustler with his airs and his high-flown language runs deep. It makes sense for the Dole campaign to make this a contest between Dole as the laconic, quiet man whose words can be trusted and Bill Clinton as the traveling salesman with a line of smooth patter but a suitcase full of damaged goods. It makes sense for Dole to make his campaign song Thank God I'm a Country Boy—even if he is humming it 9,200 m up in a corporate jet on his way to a Florida condo.We learn from the very beginning of the text that politicians and journalists may feel ______.A.annoyed.B.amazed.C.agonized.D.agitated.
A.S.
B.
C.
D.
E.
F.
G.S.
H.
I.
We
J.
A.annoyed.
B.amazed.
C.agonized.
D.agitated.