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I'm sure you'd rather she went to school by bus, ____?

A.hadn'tyou
B.wouldn'tyou
C.aren'tI
D.didn'tshe

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Text 4 Will the European Union make it?The question would have sounded strange not long ago.Now even the project's greatest cheerleaders talk of a continent facing a“Bermuda triangle”of debt,population decline and lower growth.As well as those chronic problems,the EU faces an acute crisis in its economic core,the 16 countries that use the single currency.Markets have lost faith that the euro zone's economies,weaker or stronger,will one day converge thanks to the discipline of sharing a single currency,which denies uncompetitive members the quick fix of devaluation.Yet the debate about how to save Europe's single currency from disintegration is stuck.It is stuck because the euro zone's dominant powers,France and Germany,agree on the need for greater harmonization within the euro zone,but disagree about what to harmonies.Germany thinks the euro must be saved by stricter rules on borrow,spending and competitiveness,backed by quasiautomatic sanctions for governments that do not obey.These might include threats to freeze EU funds for poorer regions and EU megaprojects and even the suspension of a country's voting rights in EU ministerial councils.It insists that economic coordination should involve all 27 members of the EU club,among whom there is a small majority for freemarket liberalism and economic rigour;in the inner core alone,Germany fears,a small majority favour French interference.A“southern”camp headed by French wants something different:“European economic government”within an inner core of eurozone members.Translated,that means politicians intervening in monetary policy and a system of redistribution from richer to poorer members,via cheaper borrowing for governments through common Eurobonds or complete fiscal transfers.Finally,figures close to the France government have murmured,eurozone members should agree to some fiscal and social harmonization:e.g.,curbing competition in corporatetax rates or labour costs.It is too soon to write off the EU.It remains the world's largest trading block.At its best,the European project is remarkably liberal:built around a single market of 27 rich and poor countries,its internal borders are far more open to goods,capital and labour than any comparable trading area.It is an ambitious attempt to blunt the sharpest edges of globalization,and make capitalism benign.The French proposal of handling the crisis implies that______

A.poorcountriesaremorelikelytogetfunds
B.strictmonetarypolicywillbeappliedtopoorcountries
C.loanswillbereadilyavailabletorichcountries
D.richcountrieswillbasicallycontrolEurobonds

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Text 3 We tend to think of the decades immediately following World War II as a time of prosperity and growth,with soldiers returning home by the millions,going off to college on the G.I.Bill and lining up at the marriage bureaus.But when it came to their houses,it was a time of common sense and a belief that less could truly be more.During the Depression and the war,Americans had learned to live with less,and that restraint,in combination with the postwar confidence in the future,made small,efficient housing positively stylish.Economic condition was only a stimulus for the trend toward efficient living.The phrase“less is more”was actually first popularized by a German,the architect Ludwig Mies van der Rohe,who like other people associated with the Bauhaus,a school of design,emigrated to the United States before World War II and took up posts at American architecture schools.These designers came to exert enormous influence on the course of American architecture,but none more so than Mies.Mies's signature phrase means that less decoration,properly organized,has more impact than a lot.Elegance,he believed,did not derive from abundance.Like other modern architects,he employed metal,glass and laminated woodmaterials that we take for granted today but that in the 1940s symbolized the future.Mies's sophisticated presentation masked the fact that the spaces he designed were small and efficient,rather than big and often empty.The apartments in the elegant towers Mies built on Chicago's Lake Shore Drive,for example,were smaller—twobedroom units under 1，000 square feet—than those in their older neighbors along the city's Gold Coast.But they were popular because of their airy glass walls,the views they afforded and the elegance of the buildings'details and proportions,the architectural equivalent of the abstract art so popular at the time.The trend toward“less”was not entirely foreign.In the 1930s Frank Lloyd Wright started building more modest and efficient houses—usually around 1，200 square feet—than the spreading twostory ones he had designed in the 1890s and the early 20th century.The“Case Study Houses”commissioned from talented modern architects by California Arts&Architecture magazine between 1945 and 1962 were yet another homegrown influence on the“less is more”trend.Aesthetic effect came from the landscape,new materials and forthright detailing.In his Case Study House,Ralph Rapson may have mispredicted just how the mechanical revolution would impact everyday life—few American families acquired helicopters,though most eventually got clothes dryers—but his belief that selfsufficiency was both desirable and inevitable was widely shared.What is true about the apartments Mies building Chicago's Lake Shore Drive?

A.Theyignoreddetailsandproportions
B.Theywerebuiltwithmaterialspopularatthattime
C.Theyweremorespaciousthanneighboringbuildings
D.Theysharedsomecharacteristicsofabstractart